Ghana film and photo production support

What production support means here

Let us be clear about scope first, because it saves everyone time. We are a Ghana-based operator, not a full production house. What we do well is the ground game: moving your crew and kit reliably, arranging the fixing and introductions that get you through doors, helping with location access and permits, and connecting you with trusted local crew. If you arrive with a plan, we make it run on Ghanaian roads and Ghanaian time.

As a Kasoa-based team who work these routes every week, we know the practical realities most out-of-town producers do not budget for, from Accra traffic to load-shedding to how long a permit really takes. Honest scoping up front is worth more than promises, so we tell you what we can and cannot cover before you commit.

Transport and moving kit

The backbone of any shoot is transport that does not let you down. We run a Toyota Hiace minibus for crew and cases, with air-conditioned cars for smaller units and talent. The drivers know the routes between Accra, Kumasi and the coast, and they are used to early calls, long waits and last-minute changes of plan.

Distances are longer than the map suggests once traffic and road surface are factored in, and moving a full unit across regions eats time. Accra to Cape Coast is a comfortable morning; Accra to Kumasi or the far north is a serious day on the road, better broken with an overnight. We plan the day around real drive times, not optimistic ones, and build in buffer for the breakdowns and diversions that occasionally happen. For the wider picture on roads and travel, our guide to getting around Ghana is a straight account of what to expect.

Permits, locations and access

This is where lead time matters most. Drones require clearance from the Ghana Civil Aviation Authority, and this is not same-day. Historic locations such as the castles at Cape Coast and Elmina, and the Kwame Nkrumah Mausoleum, are managed by the Ghana Museums and Monuments Board, which sets filming fees and conditions. Commercial filming more broadly may involve the National Film Authority, so the earlier we start, the smoother it goes.

We are honest about no-go areas too: the airport, military sites and some government buildings are off limits, and street filming needs a respectful local touch. Our Cape Coast and Elmina guide gives useful background on those sites before you scout.

Local crew, power and where you stay

Bringing a full crew from abroad is expensive and often unnecessary. We can connect you with local fixers, production assistants, drivers and security, which cuts your footprint and gives you people who know the terrain. Vetting still matters, and we only recommend those we have worked with. A local grip who knows the venue, a fixer who can smooth a market shoot in a few words of the right language, and a driver who has done a night shoot before are worth far more than the day rate suggests.

Power is a real planning factor. Ghana still sees load-shedding, locally called dumsor, so location shoots often need a generator, which we can arrange. Accommodation ranges from solid business hotels in Accra to simpler options near coastal and Ashanti locations; our where to stay in Accra guide is a good reference. On safety and everyday practicalities, our Ghana safety guide is worth a read.

Lead time and how we quote

Every production is different, so we scope and price per shoot rather than posting a rate. What shapes the cost is the number of shoot days, crew size, how many locations and regions you cover, the kit involved and any permit or location fees. Customs clearance for imported gear at Kotoka needs planning well ahead, and a carnet often makes life easier, so raise it early with us.

The single biggest favour you can do a Ghana shoot is book with enough runway. Permits, location bookings and the right crew all take time, and rushing them adds cost and risk. Season plays a part too; the best time to visit Ghana guide flags the harmattan haze that can affect light and grounds drones from December.

Get your Ghana shoot moving

Good production support is invisible when it works: the vehicles turn up, the door opens, the permit is in hand and the crew is on time. That is the standard we aim for, scoped honestly so there are no nasty surprises on the day.

We will not overpromise or invent figures. Tell us the shoot and we will give you a clear, honest picture of what we can do and what it takes to do it well.

Questions people ask